Despite his reluctance to socialize and painfully depicted self-hatred, Nick feels drawn to his vibrant tenant. Nick withdrew from the public eye after a stroke that weakened his legs and occasionally made it necessary for him to use a wheelchair. When this plan works, she’s shocked to discover her landlord is the young, gorgeous Nick Daire. Aggravated by these restrictions, Annabelle blatantly breaks rules hoping to draw him out of seclusion. But her new digs in the guest house of a beautiful mansion come with their own issues: her crotchety landlord has a long list of rules and prefers to communicate via passive-aggressive notes rather than meeting in person. After Annabelle Martin’s ex-husband unexpectedly re-proposes, Annabelle realizes she needs a clean break-and a graphic design job at her best friend’s company in sunny Phoenix is the perfect fit. McKinlay ( Paris Is Always a Good Idea) delivers a disappointing rom-com.
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